Charles Meryon (1821-1868)
La Pompe Notre-Dame (Delteil-Wright 31)
etching, circa 1852, seventh state (of ten), on laid paper, with margins, mount stained, a few scattered foxmarks, otherwise in good condition: with La Tour de L'Horloge (D.-W. 28), by the same hand, 1852, etching with engraving, first state (of ten), on laid paper, with partial unidentified watermark, wide margins, some time staining and occasional foxing, mainly visible on the reverse; L'Arche de Ponte Notre-Dame (D.-W. 25), etching with drypoint, 1853, fourth state (of seven), on laid paper, with wide margins, mount stained; and Tourelle, Rue de la Tixeranderie (D.-W. 29), etching, 1852, fourth state (of five), on wove paper, with margins, time stained, foxing, otherwise in good condition
P. 167 x 250 mm., S. 198 x 270 mm. (4)
Charles Meryon (1821-1868)
La Pompe Notre-Dame (Delteil-Wright 31)
etching, circa 1852, seventh state (of ten), on laid paper, with margins, mount stained, a few scattered foxmarks, otherwise in good condition: with La Tour de L'Horloge (D.-W. 28), by the same hand, 1852, etching with engraving, first state (of ten), on laid paper, with partial unidentified watermark, wide margins, some time staining and occasional foxing, mainly visible on the reverse; L'Arche de Ponte Notre-Dame (D.-W. 25), etching with drypoint, 1853, fourth state (of seven), on laid paper, with wide margins, mount stained; and Tourelle, Rue de la Tixeranderie (D.-W. 29), etching, 1852, fourth state (of five), on wove paper, with margins, time stained, foxing, otherwise in good condition
P. 167 x 250 mm., S. 198 x 270 mm. (4)
