Lot 302
FRANK STELLA
Sabine Pass, from Benjamin Moore Series (A. 61)
Closed22 July 2009
Price Realised
USD 2,750
More Information
FRANK STELLA
Sabine Pass, from Benjamin Moore Series (A. 61)
lithograph in colors, 1971, on Arches, signed and dated in pencil, numbered 73/100 (there were also 9 artist's proofs), published by Gemini G.E.L., Los Angeles, with their blindstamps, with full margins, light-staining, scuffing and soft handling creases at the sheet edges, hinge remains in places at the reverse of the upper sheet edge, otherwise in good condition; together with , from Conentric Squares and Mitered Mazes (A. 79), offset lithograph in colors, 1972, signed and dated in pencil, numbered 37/100 (there were also 20 artist's proofs); and with Furg, from Merce Cunningham Portfolio (A. 106), screenprint and offset lithograph in colors, 1975, signed and dated in pencil, numbered 34/100 (there were also 30 artist's proofs)
S. 16 x 22 in. (405 x 558 mm.) (3)
Sabine Pass, from Benjamin Moore Series (A. 61)
lithograph in colors, 1971, on Arches, signed and dated in pencil, numbered 73/100 (there were also 9 artist's proofs), published by Gemini G.E.L., Los Angeles, with their blindstamps, with full margins, light-staining, scuffing and soft handling creases at the sheet edges, hinge remains in places at the reverse of the upper sheet edge, otherwise in good condition; together with , from Conentric Squares and Mitered Mazes (A. 79), offset lithograph in colors, 1972, signed and dated in pencil, numbered 37/100 (there were also 20 artist's proofs); and with Furg, from Merce Cunningham Portfolio (A. 106), screenprint and offset lithograph in colors, 1975, signed and dated in pencil, numbered 34/100 (there were also 30 artist's proofs)
S. 16 x 22 in. (405 x 558 mm.) (3)
FRANK STELLA
Sabine Pass, from Benjamin Moore Series (A. 61)
lithograph in colors, 1971, on Arches, signed and dated in pencil, numbered 73/100 (there were also 9 artist's proofs), published by Gemini G.E.L., Los Angeles, with their blindstamps, with full margins, light-staining, scuffing and soft handling creases at the sheet edges, hinge remains in places at the reverse of the upper sheet edge, otherwise in good condition; together with , from Conentric Squares and Mitered Mazes (A. 79), offset lithograph in colors, 1972, signed and dated in pencil, numbered 37/100 (there were also 20 artist's proofs); and with Furg, from Merce Cunningham Portfolio (A. 106), screenprint and offset lithograph in colors, 1975, signed and dated in pencil, numbered 34/100 (there were also 30 artist's proofs)
S. 16 x 22 in. (405 x 558 mm.) (3)
Sabine Pass, from Benjamin Moore Series (A. 61)
lithograph in colors, 1971, on Arches, signed and dated in pencil, numbered 73/100 (there were also 9 artist's proofs), published by Gemini G.E.L., Los Angeles, with their blindstamps, with full margins, light-staining, scuffing and soft handling creases at the sheet edges, hinge remains in places at the reverse of the upper sheet edge, otherwise in good condition; together with , from Conentric Squares and Mitered Mazes (A. 79), offset lithograph in colors, 1972, signed and dated in pencil, numbered 37/100 (there were also 20 artist's proofs); and with Furg, from Merce Cunningham Portfolio (A. 106), screenprint and offset lithograph in colors, 1975, signed and dated in pencil, numbered 34/100 (there were also 30 artist's proofs)
S. 16 x 22 in. (405 x 558 mm.) (3)
From time to time, Christie's may offer a lot which it owns in whole or in part. This is such a lot.