Max Beckmann
In the tram (Hotmaier. 235)
drypoint, 1922, on wove paper, a good impression of the third, final state, signed in pencil, from the largely unnumbered edition of 100 (there were also 50 on Japon), published by R. Piper, Munich, 1922, with wide margins, a soft crease at the lower right sheet corner, taped at two places at the upper sheet edge on the reverse (just showing through, the upper right sheet corner with associated adhesive staining)
P. 11½ x 17 in. (292 x 432 mm.), S. 14¾ x 20¾ in. (375 x 527 mm.)
Max Beckmann
In the tram (Hotmaier. 235)
drypoint, 1922, on wove paper, a good impression of the third, final state, signed in pencil, from the largely unnumbered edition of 100 (there were also 50 on Japon), published by R. Piper, Munich, 1922, with wide margins, a soft crease at the lower right sheet corner, taped at two places at the upper sheet edge on the reverse (just showing through, the upper right sheet corner with associated adhesive staining)
P. 11½ x 17 in. (292 x 432 mm.), S. 14¾ x 20¾ in. (375 x 527 mm.)
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