Jan de Bray Haarlem c. 1627-1697

This fully signed and dated Bathsheba by Jan de Bray comes from late in the artist's career, during the period when he was most strongly influenced by a public taste for classicizing trends in painting. However, unlike some of de Bray's later works which are criticized for their rigidity, this painting is elegantly and dynamically composed, with natural movement in both Bathsheba's sudden gesture and the trickling stream of water poured into the bath by her maid. Though de Bray is not known to have traveled to Italy - indeed, he spent the entirety of his career in his native city of Haarlem, apart from a two-year sojourn in Amsterdam - the sensual pose of the nude Bathsheba and the atmospheric effects of the sfumato technique have led several scholars to suggest that de Bray may have encountered Florentine art late in life.