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Lot 132
Ken Howard, R.A. (b. 1932)
No Surrender 69
Closed6 June 2008
Price Realised
GBP 26,250
More Information
Specialist note
Discussing his appointment as an Official War Artist in 1973, the artist comments on his website, 'I served as a marine from 1953 to 1955 and kept a meticulous sketchbook filled with drawings of the daily life of soldiers. Based on this work, in 1973 I was appointed as the Official Artist of Britain'’s Imperial War Museum.
I lived with the regiment and went on patrol with them ... I was very popular with the regiments because of the way I work, being very figurative, expressing the life of the regiment, rather than making any sort of comment on what they were doing. I was making fairly dispassionate and objective depictions of the life of this order in Northern Ireland.
I think the most interesting bit is drawing rather than using cameras. Drawing is a way of seeing ... I didn'’t take photos. I just sat down and drew in some very hairy places. If you were drawing all the time, which I was, people could see what you were doing ... so if I sat drawing in the middle of Falls Road, the local Catholics would come up and see what I was doing, and there was nothing questionable about it. They knew I was with the army and where I was staying because the intelligence at that time was pretty good. But I never felt in danger. Whereas if you had a camera it would have been different'.
I lived with the regiment and went on patrol with them ... I was very popular with the regiments because of the way I work, being very figurative, expressing the life of the regiment, rather than making any sort of comment on what they were doing. I was making fairly dispassionate and objective depictions of the life of this order in Northern Ireland.
I think the most interesting bit is drawing rather than using cameras. Drawing is a way of seeing ... I didn'’t take photos. I just sat down and drew in some very hairy places. If you were drawing all the time, which I was, people could see what you were doing ... so if I sat drawing in the middle of Falls Road, the local Catholics would come up and see what I was doing, and there was nothing questionable about it. They knew I was with the army and where I was staying because the intelligence at that time was pretty good. But I never felt in danger. Whereas if you had a camera it would have been different'.