Dietz Edzard (1893-1963)
Thomas á Kempis, Ave Maria, Amsterdam, 1920
the set of five drypoints, on japon nacré, with title, text and justification, each signed in pencil, numbered 38/75, with full margins, time-staining and occasional scattered foxing, loose in a card folder, splitting at the seams(portfolio)S. 500 x 350 mm.
Dietz Edzard (1893-1963)
Thomas á Kempis, Ave Maria, Amsterdam, 1920
the set of five drypoints, on japon nacré, with title, text and justification, each signed in pencil, numbered 38/75, with full margins, time-staining and occasional scattered foxing, loose in a card folder, splitting at the seams(portfolio)S. 500 x 350 mm.
.jpg?maxwidth=3840)