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Lot 87
Thomas Demand (b. 1964)
Zeichensaal
Prix réalisé
GBP 102,000
Plus d'informations
Thomas Demand (b. 1964)
Zeichensaal
signed and dated 'Thomas Demand 1996' (on the stretcher)
c-print face mounted to Diasec
72 x 112¼in. (183 x 285cm.)
Executed in 1996, this work is from an edition of five plus one artist proof
Zeichensaal
signed and dated 'Thomas Demand 1996' (on the stretcher)
c-print face mounted to Diasec
72 x 112¼in. (183 x 285cm.)
Executed in 1996, this work is from an edition of five plus one artist proof
Thomas Demand (b. 1964)
Zeichensaal
signed and dated 'Thomas Demand 1996' (on the stretcher)
c-print face mounted to Diasec
72 x 112¼in. (183 x 285cm.)
Executed in 1996, this work is from an edition of five plus one artist proof
Zeichensaal
signed and dated 'Thomas Demand 1996' (on the stretcher)
c-print face mounted to Diasec
72 x 112¼in. (183 x 285cm.)
Executed in 1996, this work is from an edition of five plus one artist proof
Monika Sprüth Galerie, Cologne.
Hans Grothe Collection, Duisburg.
His sale, Christie's New York, 15 November 2001, lot 329.
Acquired at the above sale by the present owner.
Hans Grothe Collection, Duisburg.
His sale, Christie's New York, 15 November 2001, lot 329.
Acquired at the above sale by the present owner.
Thomas Demand, exh. cat., Kunsthalle, Bielefeld 1998 (another from the edition illustrated).
P. Ellis, Eurovision, London 1998.
Thomas Demand, exh. cat., Kunsthalle, Zurich 1998 (another from the edition illustrated in colour, unpaged).
C. Doswald, Missing Link. Menschen-Bilder in der Fotografie, Bern
1999 (another from the edition illustrated, p. 61).
Great Illusions: Demand, Gursky, Ruscha, exh. cat., Miami, Museum of Contemporary Art, June-November 1999, p. 33 (another from the edition illustrated).
The Carnegie International, exh. cat., Pittsburgh, The Carnegie Museum of Art, Pittsburgh 1999 (another from the edition illustrated, p. 26).
Thomas Demand, exh. cat., Fondation Cartier pour l'art contemporain, Paris 2000 (another from the edition illustrated in colour, p. 35).
A. Ruby, 'Thomas Demand. Memoryscapes' in Parkett, no. 62, Zurich 2001 (another from the edition illustrated, p. 131).
Thomas Demand, exh. cat., Castello di Rivoli, Turin 2002 (another from the edition illustrated in colour, p. 16).
Thomas Demand, exh. cat., Serpentine Gallery, London 2006 (another from the edition illustrated in colour, p. 74).
P. Ellis, Eurovision, London 1998.
Thomas Demand, exh. cat., Kunsthalle, Zurich 1998 (another from the edition illustrated in colour, unpaged).
C. Doswald, Missing Link. Menschen-Bilder in der Fotografie, Bern
1999 (another from the edition illustrated, p. 61).
Great Illusions: Demand, Gursky, Ruscha, exh. cat., Miami, Museum of Contemporary Art, June-November 1999, p. 33 (another from the edition illustrated).
The Carnegie International, exh. cat., Pittsburgh, The Carnegie Museum of Art, Pittsburgh 1999 (another from the edition illustrated, p. 26).
Thomas Demand, exh. cat., Fondation Cartier pour l'art contemporain, Paris 2000 (another from the edition illustrated in colour, p. 35).
A. Ruby, 'Thomas Demand. Memoryscapes' in Parkett, no. 62, Zurich 2001 (another from the edition illustrated, p. 131).
Thomas Demand, exh. cat., Castello di Rivoli, Turin 2002 (another from the edition illustrated in colour, p. 16).
Thomas Demand, exh. cat., Serpentine Gallery, London 2006 (another from the edition illustrated in colour, p. 74).
Duisburg, Museum Küppersmühle-Sammlung Grothe, Tomorrow For Ever, October 1999-January 2000.
Duisburg, Museum Küppersmühle-Sammlung Grothe, Photo und Papier, February-June 2000.
Duisburg, Museum Küppersmühle-Sammlung Grothe, Photo und Papier, February-June 2000.
Artist's Resale Right ("Droit de Suite"). Artist's Resale Right Regulations 2006 apply to this lot, the buyer agrees to pay us an amount equal to the resale royalty provided for in those Regulations, and we undertake to the buyer to pay such amount to the artist's collection agent.
VAT rate of 5% is payable on hammer price and at 15% on the buyer's premium