Josef Albers’ prints embody his rigorous exploration of colour, geometry and perception. Through series such as Homage to the Square and Formulation: Articulation, he used screenprinting and lithography to investigate how hues interact within precise compositional structures. Each Albers print functions as both experiment and meditation, revealing how subtle shifts in tone and proportion alter visual balance and depth. By translating his disciplined approach to the printed surface, Albers transformed printmaking into a laboratory for colour theory, uniting Bauhaus principles with the clarity and restraint of modern abstraction.