A PETAG TABRIZ CARPET
A PETAG TABRIZ CARPET
A PETAG TABRIZ CARPET
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A PETAG TABRIZ CARPET
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A PETAG TABRIZ CARPET

NORTH WEST PERSIA, CIRCA 1920

细节
A PETAG TABRIZ CARPET
NORTH WEST PERSIA, CIRCA 1920
Of Zil-i-Sultan design, bearing the PETAG cintamani signature in the top left hand corner of the field, overall excellent condition
12ft.6in. x 9ft.11in. (380cm. x 302cm.)
注意事项
This lot will be removed to Christie’s Park Royal. Christie’s will inform you if the lot has been sent offsite. Our removal and storage of the lot is subject to the terms and conditions of storage which can be found at Christies.com/storage and our fees for storage are set out in the table below - these will apply whether the lot remains with Christie’s or is removed elsewhere. Please call Christie’s Client Service 24 hours in advance to book a collection time at Christie’s Park Royal. All collections from Christie’s Park Royal will be by pre-booked appointment only. Tel: +44 (0)20 7839 9060 Email: cscollectionsuk@christies.com. If the lot remains at Christie’s it will be available for collection on any working day 9.00 am to 5.00 pm. Lots are not available for collection at weekends.

荣誉呈献

Behnaz Atighi Moghaddam
Behnaz Atighi Moghaddam

拍品专文

It is perhaps a little surprising that such a delicate design of repeating decorative flower vases, should derive its name from Zill al-Sultan, the notorious Qajar prince who ruled Isfahan, Iran's former capital during the Safavid era, as governor from 1874 to 1907. He is remembered as a Qajar anti-hero, even a villain, to this day, based largely on his apparent exercise of absolute power and pursuit of intrigue to further his own political interests.

The addition of small birds flanking each of the repeating vases, seen here, was known as gol-i-bolbol, the 'rose and the nightingale' and was used in a number of different weaving centres. (P.R.Ford, Oriental Carpet Design, London, 1981, p.118-120, fig. 271). Unusually, the present carpet displays the same floral elements of the field design within the border surround, but on a larger scale, leaving little definition between the two in terms of colour or design.

更多来自 伊斯兰及印度艺术

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