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Wilson was also a celebrated visual artist and chairmaker, crafting seating in unconventional materials including bandages and horsehair, made to surround the stages of his productions. Blanketed in a layer of lead beneath a fiberglass base, Wilson’s ‘Stalin Chairs’ accompanied his silent opera The Life and Times of Josef Stalin. Wilson elevated furniture from the utilitarian to the lively and performative, with his designs becoming what he called ‘active participants’ in his productions. Wilson was also a celebrated visual artist and chairmaker, crafting seating in unconventional materials including bandages and horsehair, made to surround the stages of his productions. Blanketed in a layer of lead beneath a fiberglass base, Wilson’s ‘Stalin Chairs’ accompanied his silent opera The Life and Times of Josef Stalin. Wilson elevated furniture from the utilitarian to the lively and performative, with his designs becoming what he called ‘active participants’ in his productions. Wilson was also a celebrated visual artist and chairmaker, crafting seating in unconventional materials including bandages and horsehair, made to surround the stages of his productions. Blanketed in a layer of lead beneath a fiberglass base, Wilson’s ‘Stalin Chairs’ accompanied his silent opera The Life and Times of Josef Stalin. Wilson elevated furniture from the utilitarian to the lively and performative, with his designs becoming what he called ‘active participants’ in his productions. Wilson was also a celebrated visual artist and chairmaker, crafting seating in unconventional materials including bandages and horsehair, made to surround the stages of his productions. Blanketed in a layer of lead beneath a fiberglass base, Wilson’s ‘Stalin Chairs’ accompanied his silent opera The Life and Times of Josef Stalin. Wilson elevated furniture from the utilitarian to the lively and performative, with his designs becoming what he called ‘active participants’ in his productions.