YOSHITOMO NARA (JAPAN, B. 1959)

One of the most remarkable features of Yoshitomo Nara’s artistic output is its ability to cross boundaries. Not being limited by media, his works can be seen on canvas, panel, or paper, sometimes with watercolour or pencil. Sculptural works are often made in ceramics and fibreglass. His creative spirit demonstrates that there should not be a distinction between high and low art. Nara absorbs aesthetic influences from a myriad of sources — Ukiyo-e, children’s book, Western modernist art, and commercial illustrations. All the different strengths of these disciplines are transformed into an idiosyncratic stye that reflects the spirit of contemporary Japan.

Children and dogs with closed eyes are two of the most remarkable subjects in Yoshitomo Nara’s sculptural output. Tranquil in countenance, they look like they are deep in slumber, contemplation, or prayer. Standing two meters tall, Quiet, Quiet (Lot 104) is a sculptural work that is composed of four children’ heads stacked on top of each other in a surrealistic fashion. Visually, they look like they are on the brink of toppling. In reality, they are firmly held together. Psychologically, it produces an interesting contradiction in the viewer’s mind. The teacup at the base looks like it is a ride from an amusement park. The person at the bottom placidly bath in the blue water. This depiction often appears in Yoshitomo Nara’s painting where the lonely protagonist feels safe being submerged in water. All four characters in Quiet, Quiet are about to enter a peaceful realm away from the chaotic reality.