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Lot 362|PROPERTY FROM A PRIVATE GERMAN COLLECTION
Hermann Max Pechstein (1881-1955)
Monterosso al mare
Fermé25 June 2014
Prix réalisé
GBP 242,500
Plus d'informations
Hermann Max Pechstein (1881-1955)
Monterosso al mare
oil on canvas
28 x 31½ in. (71 x 80 cm.)
Painted in 1913
Monterosso al mare
oil on canvas
28 x 31½ in. (71 x 80 cm.)
Painted in 1913
Hermann Max Pechstein (1881-1955)
Monterosso al mare
oil on canvas
28 x 31½ in. (71 x 80 cm.)
Painted in 1913
Monterosso al mare
oil on canvas
28 x 31½ in. (71 x 80 cm.)
Painted in 1913
Dr. Karl Lilienfeld, Leipzig, Berlin and New York, by 1922, until 1966.
Margarete Lilienfeld, New York, by descent from the above in 1966.
Acquired by the parents of the present owner in the mid-1990s.
Margarete Lilienfeld, New York, by descent from the above in 1966.
Acquired by the parents of the present owner in the mid-1990s.
Umelecky Mesicnik, Prague, 1913, no. 1, vol. III (illustrated).
M. Osborn, Max Pechstein, Berlin, 1922 (illustrated p. 43).
Exh. cat., Max Pechstein, Sein malerisches Werk, Brücke Museum, Berlin, 1996, no. 81 (illustrated).
A. Soika, Max Pechstein, Das Werkverzeichnis der Ölgemälde, vol. I, 1905-1918, Munich, 2011, no. 1913/19, p. 434 (illustrated).
M. Osborn, Max Pechstein, Berlin, 1922 (illustrated p. 43).
Exh. cat., Max Pechstein, Sein malerisches Werk, Brücke Museum, Berlin, 1996, no. 81 (illustrated).
A. Soika, Max Pechstein, Das Werkverzeichnis der Ölgemälde, vol. I, 1905-1918, Munich, 2011, no. 1913/19, p. 434 (illustrated).
Munich, Galerie Hans Goltz, Neue Kunst, 30. Ausstellung, August - October 1916, no. 87 (illustrated, titled Italienische Landschaft).
Chemnitz, Kunsthütte, Max Pechstein, October 1922.
New York, Lilienfeld Galleries, Max Pechstein, 1932, no. 8.
San Francisco, Museum of Art, on loan, 1937-1938 (no. 2460.37).
Dallas, Museum of Fine Arts, on loan, 1947-1950.
Los Angeles, Dalzell Hatfield Galleries, Max Pechstein, March 1959 (illustrated).
New York, Van Diemen Lilienfeld Galleries, Max Pechstein, May - June 1959 (illustrated).
Los Angeles, Dalzell Hatfield Galleries, Max Pechstein, 1967 (illustrated).
New York, Helen Serger/La Boétie, Inc., Max Pechstein, Brücke Period, and works by Heckel, Nolde, Kirchner, Schmidt-Rottluff, October - December 1984, no. 7 (illustrated).
Darmstadt, Galerie Sander, Accrochage Kunst des 20. Jahrhunderts, December 1994 - February 1995.
Chemnitz, Kunsthütte, Max Pechstein, October 1922.
New York, Lilienfeld Galleries, Max Pechstein, 1932, no. 8.
San Francisco, Museum of Art, on loan, 1937-1938 (no. 2460.37).
Dallas, Museum of Fine Arts, on loan, 1947-1950.
Los Angeles, Dalzell Hatfield Galleries, Max Pechstein, March 1959 (illustrated).
New York, Van Diemen Lilienfeld Galleries, Max Pechstein, May - June 1959 (illustrated).
Los Angeles, Dalzell Hatfield Galleries, Max Pechstein, 1967 (illustrated).
New York, Helen Serger/La Boétie, Inc., Max Pechstein, Brücke Period, and works by Heckel, Nolde, Kirchner, Schmidt-Rottluff, October - December 1984, no. 7 (illustrated).
Darmstadt, Galerie Sander, Accrochage Kunst des 20. Jahrhunderts, December 1994 - February 1995.
Artist's Resale Right ("Droit de Suite"). Artist's Resale Right Regulations 2006 apply to this lot, the buyer agrees to pay us an amount equal to the resale royalty provided for in those Regulations, and we undertake to the buyer to pay such amount to the artist's collection agent.
Please note the additional provenance for this work:
Dr. Karl Lilienfeld, Liepzig, Berlin and New York, by 1922, until 1966.
Margarete Lilienfeld, New York, by descent from the above in 1966.
Acquired by the parents of the present owner in the mid-1990s.
Dr. Karl Lilienfeld, Liepzig, Berlin and New York, by 1922, until 1966.
Margarete Lilienfeld, New York, by descent from the above in 1966.
Acquired by the parents of the present owner in the mid-1990s.