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Lot 121 |PROPERTY FROM AN IMPORTANT PRIVATE COLLECTION OF WORKS ON PAPER
George Grosz (1893-1959)
Biertrinker
Closed6 November 2013
Price Realised
USD 25,000
More Information
George Grosz (1893-1959)
Biertrinker
signed 'Grosz' (lower right); with Nachlass stamp (on the reverse)
brush and India ink on toned paper
19 x 12¼ in. (48.3 x 31 cm.)
Painted in 1916
Biertrinker
signed 'Grosz' (lower right); with Nachlass stamp (on the reverse)
brush and India ink on toned paper
19 x 12¼ in. (48.3 x 31 cm.)
Painted in 1916
George Grosz (1893-1959)
Biertrinker
signed 'Grosz' (lower right); with Nachlass stamp (on the reverse)
brush and India ink on toned paper
19 x 12¼ in. (48.3 x 31 cm.)
Painted in 1916
Biertrinker
signed 'Grosz' (lower right); with Nachlass stamp (on the reverse)
brush and India ink on toned paper
19 x 12¼ in. (48.3 x 31 cm.)
Painted in 1916
Estate of the artist.
Serge Sabarsky Gallery, New York.
Acquired by the present owner, by 1989.
Serge Sabarsky Gallery, New York.
Acquired by the present owner, by 1989.
U. Schneede, George Grosz, Leben und Werk, Stuttgart, 1975, p. 42, no. 62 (illustrated).
Hamburg, Kunstverein; Frankfurt, Frankfurter Kunstverein; Braunschweig, Kunstverein; Müster, Landesmuseum; Vienna, Museum des 20. Jahrhunderts; Karlsruhe, Badischer Kunstverein; Wuppertal, Von der Heydt-Museum and Berlin, Haus am Waldsee, George Grosz, Leben und Werk, December 1975-March 1977, p. 42, no. 62 (illustrated).
Munich, Galerie Michael Hasenclever, Realismus der Zwanziger Jahre, Bilder, Zeichnungen Druckgraphik, October-November 1980, no. 39 (illustrated).
Verona, Galleria d'arte Moderna e Contemporanea, Da Van Gogh a Schiele, July-October 1989, p. 264 (illustrated, p. 204).
Naples, Accademia di Belle Arti, Goya, Daumier, Grosz, Il trionfo dell'idiozia, Pregiudizi, follie e banalità dell'esistenza europea, April-May 1992, p. 240, no. 236 (illustrated, p. 215).
Siena, Complesso Museale Santa Maria della Scale, La lente di Freud. Una galleria dell'inconscio, November 2008-February 2009, p. 315 (illustrated).
Brühl, Max Ernst Museum, George Grosz, Deutschland, ein Wintermärchen, Aquarelle, Zeichnungen, Collagen, 1908-1958, September-December 2011, p. 179, no. 20 (illustrated, p. 76).
Munich, Galerie Michael Hasenclever, Realismus der Zwanziger Jahre, Bilder, Zeichnungen Druckgraphik, October-November 1980, no. 39 (illustrated).
Verona, Galleria d'arte Moderna e Contemporanea, Da Van Gogh a Schiele, July-October 1989, p. 264 (illustrated, p. 204).
Naples, Accademia di Belle Arti, Goya, Daumier, Grosz, Il trionfo dell'idiozia, Pregiudizi, follie e banalità dell'esistenza europea, April-May 1992, p. 240, no. 236 (illustrated, p. 215).
Siena, Complesso Museale Santa Maria della Scale, La lente di Freud. Una galleria dell'inconscio, November 2008-February 2009, p. 315 (illustrated).
Brühl, Max Ernst Museum, George Grosz, Deutschland, ein Wintermärchen, Aquarelle, Zeichnungen, Collagen, 1908-1958, September-December 2011, p. 179, no. 20 (illustrated, p. 76).
Please note the additional exhibition history for this work:
Hamburg, Kunstverein; Frankfurt, Frankfurter Kunstverein; Braunschweig, Kunstverein; Müster, Landesmuseum; Vienna, Museum des 20.
Jahrhunderts; Karlsruhe, Badischer Kunstverein; Wuppertal, Von der Heydt-Museum and Berlin, Haus am Waldsee, George Grosz, Leben und Werk, December 1975-March 1977, p. 42, no. 62 (illustrated).
Munich, Galerie Michael Hasenclever, Realismus der Zwanziger Jahre, Bilder, Zeichnungen Druckgraphik, October-November 1980, no. 39 (illustrated).
Verona, Galleria d'arte Moderna e Contemporanea, Da Van Gogh a Schiele, July-October 1989, p. 264 (illustrated, p. 204).
Naples, Accademia di Belle Arti, Goya, Daumier, Grosz, Il trionfo dell'idiozia, Pregiudizi, follie e banalità dell'esistenza europea, April-May 1992, p. 240, no. 236 (illustrated, p. 215).
Siena, Complesso Museale Santa Maria della Scale, La lente di Freud. Una galleria dell'inconscio, November 2008-February 2009, p. 315 (illustrated).
Brühl, Max Ernst Museum, George Grosz, Deutschland, ein Wintermärchen, Aquarelle, Zeichnungen, Collagen, 1908-1958, September-December 2011, p. 179, no. 20 (illustrated, p. 76).
Hamburg, Kunstverein; Frankfurt, Frankfurter Kunstverein; Braunschweig, Kunstverein; Müster, Landesmuseum; Vienna, Museum des 20.
Jahrhunderts; Karlsruhe, Badischer Kunstverein; Wuppertal, Von der Heydt-Museum and Berlin, Haus am Waldsee, George Grosz, Leben und Werk, December 1975-March 1977, p. 42, no. 62 (illustrated).
Munich, Galerie Michael Hasenclever, Realismus der Zwanziger Jahre, Bilder, Zeichnungen Druckgraphik, October-November 1980, no. 39 (illustrated).
Verona, Galleria d'arte Moderna e Contemporanea, Da Van Gogh a Schiele, July-October 1989, p. 264 (illustrated, p. 204).
Naples, Accademia di Belle Arti, Goya, Daumier, Grosz, Il trionfo dell'idiozia, Pregiudizi, follie e banalità dell'esistenza europea, April-May 1992, p. 240, no. 236 (illustrated, p. 215).
Siena, Complesso Museale Santa Maria della Scale, La lente di Freud. Una galleria dell'inconscio, November 2008-February 2009, p. 315 (illustrated).
Brühl, Max Ernst Museum, George Grosz, Deutschland, ein Wintermärchen, Aquarelle, Zeichnungen, Collagen, 1908-1958, September-December 2011, p. 179, no. 20 (illustrated, p. 76).
Specialist note
Ralph Jentsch has confirmed the authenticity of this work.