Victorian, Pre-Raphaelite & British Impressionist Art

The Victorian, Pre-Raphaelite & British Impressionist Art sales comprise a wide range of styles and subject matter, from the mid-19th to mid-20th Century. As market leaders in this field for over two decades, we are dedicated to sourcing and selling works of the greatest provenance and academic importance. We currently hold a number of world-record prices for artists within this category, including those for Sir John Everett Millais, Sir Edward Burne-Jones and Frederic, Lord Leighton. Our biannual auctions attract a global audience of collectors, demonstrating the growing demand for works from this period. Our London auction of the Setton Collection in December 2020 saw many pictures double their pre-sale estimates and achieve world records owing to lively international bidding. Please do not hesitate to contact us for a free and confidential valuation of your Victorian, Pre-Raphaelite & British Impressionist Art, or to discuss the market and Private Sales. Related Departments Sporting & Wildlife Art Maritime Pictures Orientalist Art 19th Century Sculpture

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Our specialists are currently preparing our next Victorian, Pre-Raphaelite & British Impressionist Art auctions. In the meantime, browse results from past auctions.

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Contact us

Sarah Reynolds
Specialist, Head of Sale
+44 (0)20 7752 3284
sareynolds@christies.com
London
Sarah Reynolds joined Christie’s in 2008, starting in the British Watercolours & Drawings and Maritime Art departments. Since 2013 she has combined Maritime Art with Victorian, Pre-Raphaelite & British Impressionist Art, and Sporting & Wildlife Art, and she is responsible for sourcing, cataloguing and promoting works in these categories. In 2018 Sarah was appointed Head of Sale for Victorian, Pre-Raphaelite & British Impressionist Art, and she also joined the ranks of Christie’s auctioneers.

Since starting at Christie's Sarah has contributed to the success of the department’s many and varied sales, including single owner collections such as The B.J. Eastwood Collection: Important Sporting and Irish Pictures (July 2021) and The Joe Setton Collection: Pre-Raphaelites to Last Romantics (December 2020). She has also been involved in setting several new world records in Maritime, Victorian, Pre-Raphaelite & British Impressionist Art and was instrumental in the success of the inaugural British Impressionism sales in November 2017. Sarah launched the Christie’s Lates programme at Christie’s South Kensington in March 2015, and has been an integral part of the team that transitioned the successful format to King Street in 2017. Sarah is a graduate from St. Peter’s College, Oxford and the Courtauld Institute, London. Her main interests include 18th century marine paintings, Pre-Raphaelite and British Impressionist paintings, and she has a particular fondness for portraiture.
Peter Brown
Senior Director, International Specialist
+44 (0) 20 7389 2435
pbrown@christies.com
London
With twenty years’ experience in valuing Victorian, Pre-Raphaelite & British Impressionist Art, Peter Brown has overseen sales which have ensured Christie’s dominance of this market. As head of department, Peter has led a team which has achieved many world auction records for Victorian artists including those for Burne-Jones, Rossetti, Millais, Holman Hunt and Leighton. He was closely involved in securing and selling the Forbes Collection of Victorian Pictures in 2003, which sold for a total of £17 million – the largest ever auction of Victorian art to date, in which 65 auction records were achieved. In July 2013 he co-ordinated an auction of Victorian Pictures that realised £22,201,975 /$33,547,184 /€25,598,878, the highest total ever achieved for the category. The top price was paid for a masterpiece by Sir Edward Coley Burne-Jones, Bt., A.R.A., R.W.S. (1833-1898), Love Among the Ruins, which sold for £14,845,875/$22,432,117/€17,117,294, setting a new world record price for the artist at auction (estimate: £3 – 5 million) and becoming the most expensive Pre-Raphaelite painting ever sold at auction. In June 2000, he discovered an unsigned and previously unidentified work by Sir John Everett Millais. Estimated at £60-80,000, the picture sold for £157,750. (Christie’s, London, 14 June 2000, lot 11). Most recently he helped orchestrate the sale of the Setton Collection in December 2020 which saw many pictures double their pre-sale estimates and achieve world record prices. Peter Brown holds a B.A. from Durham University, and is a graduate of Christie’s Education. He has worked with Christie’s since 1992 and is a Senior Director and International Specialist.
Annabel Kishor
Specialist, British Drawings & Watercolours
+44 (0) 20 7389 2709
akishor@christies.com
London
Having completed a BA in History of Art at University College London, and an MA in 18th Century British and French Drawings at the Courtauld Institute of Art, Annabel worked in the Prints and Drawings department at the British Museum, and at another major auction house. She has been working in the British Drawings department at Christie’s since 2015, working on both the Early British and Victorian sales. She has also been involved in single-owner collection sales including Stunners and The Collection of William Drummond, and was Head of Sale for The Astor Collection from Tillypronie, Aberdeenshire.
Amélie D’Arenberg
Sale Coordinator
+44 207 389 2581
aarenberg@christies.com
London
Rosie Jarvie
Specialist
+44 (0)207 289 2257
rjarvie@christies.com
London
Rosie Jarvie (neé Stynes) joined Christie's in 1997. She has worked on numerous successful sales, including the £5.8 million sale of J.M.W. Turner's The Blue Rigi, which set the then world auction record for a British work on paper and coordinated the Important British Art sales, including the sale of Property from the London residence of the late Sir Paul Getty KCB. She has also worked on a number of high profile single-owner collections, including more recently Christopher Wood: A Very Victorian Eye; The collection of Girogio Marsan and Umberta Nasi; The Collection of Nicolette Wernick and Andrew Wyld: Connoisseur Dealer. Rosie has a particular interest in Edward Lear and the watercolours of Archibald Thorburn. She holds a degree in Classics from Oriel College, Oxford.
Georgina Hilton
Head of Classic Art, Asia Pacific
+852 2978 6862
ghilton@christies.com
Hong Kong
Georgina is responsible for developing the market and taste for European Classical Art across Asia. Prior to moving to Hong Kong in 2019, Georgina was in the Old Master Paintings department in London. She is also a global Christie’s Auctioneer, taking flagship sales in Hong Kong, New York and London.
Melody Lin
Associate Vice President, Senior Representative Classic Art Group, Asia Pacific
+852 2978 6850
melodylin@christies.com
Hong Kong
Melody is responsible for expanding the market and interest of Western Classical Art in Asia, focusing on the International highlights tour and educational panels in Hong Kong, Taipei and mainland China. She joined Christie’s through the Graduate Trainee Program in 2018, and officially joined Classic Art Group in 2019. Melody was involved in number of major sales such as the Portrait of Wolfgang Amadeus Mozart at the age of 13 in Verona, Leonardo da Vinci The Head of a Bear, and rare manuscripts by Isaac Newton.
Laura H. Mathis
VP, Specialist, Head of Sale
+1 212 636 2156
LMathis@christies.com
New York
Laura Mathis joined the 19th Century European Art Department in 2015 and has been the New York department’s Head of Sale since 2018. She is a graduate of NYU's Department of Art History and began her career working at Richard L Feigen and Company in New York, one of the city’s premier Old Master and 19th Century galleries. Following this, she received her MA with distinction from the Courtauld Institute of Art in London and returned to New York to begin her work at Christie’s. She is responsible for sourcing, cataloguing and promoting pictures for the department’s bi-annual sales and works closely with Christie’s international department on sales at other sale sites as well. Laura has a particular academic interest in Scandinavian, Symbolist, and Art Nouveau painting.